
Thurber's early life was a revolving door to bewildering eccentrics. I wonder how much he laughed reminiscing about the Get-Ready Man "a lank unkempt elderly gentleman with wild eyes and a deep voice who used to go about shouting at people through a megaphone to prepare for the end of the world. 'Get ready! Get read-y!' he would bellow, 'The Worllld is coming to an End!'" Somehow the man got mixed up with a production of "King Lear" and while the protagonist wandered blindly through a storm with Edgar, the Get Ready man added to the mayhem..King Lear would have lent a helping hand to fulfil GRM's dire predictions.
Blow, winds, and crack your cheeks! Rage! Blow!
You cataracts and hurricanoes, spout
Till you have drench'd our steeples, drown'd the cocks! (King Lear, Act III, scene ii)
I think the play would have lost its appeal once the old gentleman was ejected.
Thurber was surrounded by relatives--aunts, uncles, cousins and grandparents who cared for him and were an important part of his childhood. He recalls their eccentricities with affection and the laughter he evokes is never unkind. There was this cousin Briggs who was afraid he would stop breathing if he went to sleep, and so he wanted to set his alarm clock to ring every hour. Aunt Melissa Beall who was born on South High Street and was married on South High Street had a premonition she would die there as well. Aunt Sarah Shoaf had a fear of burglars blowing chloroform under her door. She would stack up her valuables every night outside her bedroom with a note telling the prospective burglar not to use chloroform. His grandfather lived with Thurber; his not so lucid moments kept the family on its toes. The manner in which he was protected endears the readers to this lovely family. Nobody was ill-tempered or stubborn--they were willing to be led, to listen to reason. To look on the brighter side of things was a lesson well learnt by Thurber and in a way, that is what he implores (in his chatty, casual style) his readers to do. Thurber wrote as though he were absent-minded. He took these little detours (cameos of his family) in the middle of a story and rejoined it with an apology for straying. It is all this 'straying' that gives us a wide-angled view of his world and his comic genius.
0 comments:
Post a Comment